
Starting From Dining Culture, Not a Template
Yang's Fook Kee is a Cantonese dining concept built around home-style cooking and north-south specialty ingredients. Going into this Vancouver commercial renovation, our starting point wasn't a trending restaurant aesthetic — it was Cantonese dining culture itself: round tables with lazy Susans, shared family-style meals, and the need for both open seating and private rooms within the same venue.
The floor plan grew out of those habits. The main dining hall keeps enough flexibility for walk-in seating, while furniture, screens, and planting define distinct zones within it. The window-side areas were designed as a series of private rooms, built for family gatherings and business banquets that call for more privacy.

A Mirrored Coffered Ceiling That Doubles the Room
The most immediate design move in this project is the ceiling treatment over the main dining hall.
We combined a dark wood coffered grid with mirrored panels, visually "duplicating" the tables, chairs, and lighting below. In a commercial space with limited ceiling height, this creates a sense of drama and loft that would otherwise require raising the physical ceiling. Recessed and track lighting layered into the grid provide functional illumination while the mirrored surface scatters light across the ceiling like a field of stars.
For many restaurant fit-outs in Vancouver strip malls and shopping centres, ceiling height is a real constraint. A mirrored coffered ceiling is a cost-effective way to expand the perceived volume of a room without touching the building's actual height.

Material Language: Rattan, Wood, and Terracotta Warmth
On materials, we deliberately moved away from a cold, corporate palette in favour of natural textures: walnut-toned wood panelling, rattan-backed chairs, double-tier rattan pendant lights, and an expansive terracotta-toned feature wall with a wave-like texture.
Together, these materials read as a warm, contemporary take on Cantonese design — not the red-and-gold palette of a traditional banquet hall, and not a stripped-down Western minimalism either, but something in between: modern, with a handcrafted quality. Classic blue-and-white porcelain tableware sits comfortably against this material backdrop. Brass hardware on door handles and light fixtures adds a touch of refinement to the otherwise natural material palette.
Zoning With Planters and Banquettes, Not Walls
Along one side of the dining hall, curved banquette seating integrated with built-in planters replaces what would traditionally be a solid partition.
Burnt-orange leather booths run along the textured terracotta wall, with ferns, monstera, and areca palms providing a soft visual buffer between tables. The result is a sense of privacy between neighbouring seats without closing the room off — the space stays open and well-lit.
This kind of "soft partitioning" is a practical strategy for commercial renovation: no new walls, a shorter construction timeline, and the flexibility to rearrange furniture later as the business evolves.

Rattan Screens: A Flexible Approach to Semi-Private Dining
On the opposite wall, a run of woven rattan screens divides the open hall into a series of semi-enclosed seating pods.
These screens give certain tables a near-private-room feel while keeping sightlines and natural light flowing through the space. Their woven texture also echoes the rattan chairs and pendant lights elsewhere in the project, keeping the material language consistent throughout.
For a restaurant that needs to serve both walk-in diners and smaller private bookings, this kind of semi-open seating is a flexible middle ground — it doesn't require the structural footprint of a fully enclosed room, but still answers the need for privacy.
Private Room Details: From Porcelain to a Papered Ceiling
The window-side private rooms carry the most detail in the project.
They continue the walnut panelling and rattan-backed chairs from the main hall, paired with a round table, stone lazy Susan, and classic blue-and-white tea and dinnerware — a familiar scene for Cantonese family banquets. In one room, a botanical, chinoiserie-style wallpaper was applied to the ceiling and paired with a double-tier rattan pendant light, turning what would otherwise be a plain ceiling into a focal point and giving that room its own distinct character.
Full-height glazing in the private rooms preserves the outdoor view and natural daylight — a consideration built into the design from the start, rather than curtained or furnished away.

Entrance and Signage Wall: A First Impression Built From Materials
At the entrance, a red brick lattice wall paired with illuminated signage gives guests their first visual cue before they even step inside.
The perforated brick pattern allows light to glow through from within, with the restaurant's name — Yang's Fook Kee — clearly displayed. At the base of the wall, a small landscaped vignette of concrete blocks, moss, and ornamental grasses contrasts the raw texture of the concrete with soft planting.
This turns the signage from a simple storefront sign into a complete spatial moment — guests begin experiencing the brand's design language in the few seconds before they're seated.

From Design to Construction: Making a Commercial Dining Space Work
For a project like Yang's Fook Kee, how well the design translates into reality depends heavily on coordination during construction.
The mirrored ceiling required precise planning of the grid dimensions and light placement to avoid reflecting exposed mechanical or electrical elements. The rattan screens and brick lattice wall were custom-built components that needed confirmed dimensions and installation methods well before construction began. Planter locations had to account for drainage and ongoing maintenance, and the papered ceiling and floor-to-ceiling glazing in the private rooms needed to be coordinated with structural and electrical layouts early in the process to avoid rework later.
This is part of why we work design-build: having the same team carry a project from space planning through material selection to on-site construction means many of these details get caught and resolved on paper, not improvised on site.
For restaurant owners planning a Vancouver commercial renovation, Yang's Fook Kee is a fairly complete reference point for how brand identity, dining culture, and day-to-day operational needs can come together within the real constraints of a commercial space.


